ATTENTION -- ATTENTION -- ATTENTION
Wednesday, October 18, 2017
Monday, August 7, 2017
Book Release Day
Today August 8, 2017, the young adult novel The Cherry Pickers is now available at the following locations.
I am thrilled about this book and while aimed at the fourteen to eighteen year crowd, adults have raved about it.
Autographed copies are available, just send me an email to rpd@lmi.net. They are $17.00 and include postage.
I'll also be signing books at Book Passage in Corte Madera, California on October 20, 2017. Hope to see you there.
Stay tuned for more . . .
Saturday, August 5, 2017
THE CHERRY PICKERS NOW AVAILABLE
This Tuesday I’ll be publishing my
ninth book, The Cherry Pickers. It’s available at all the usual outlets and
on-line sites. It is also available through Barnes & Noble and Amazon in
paperback. With Prime I think you will get it in 3 or 4 days. Great summer
beach read, especially for you Mid-westerners who vacation in Michigan.
Here’s the blurb:
Gregory C. Randall weaves a
tale of secrets in northern Michigan during that hot and stormy summer of 1956.
With the constant fear of nuclear war, an exploding Middle East, and memories
of World War II still fresh with flowers on soldier’s graves; a young man
realizes that he is growing up. In Howie Smith’s world of primal forests, orderly
orchards, and Lake Michigan; he learns about life and begins to understand
death. A crazy aunt, a dying uncle, and the unyielding pressure to bring in the
demanding crop of cherries, forces Howie to realize there is more to life than
baseball.
Randall unveils, during this brief summer, a family’s fears and triumphs. He explores a region of America left apart from the chaos of the world. It is a place of unwanted migrant pickers, backwoods people who must live off the land, and the grand lake that encloses them all. But Howie discovers it is also a realm of miracles.
Randall unveils, during this brief summer, a family’s fears and triumphs. He explores a region of America left apart from the chaos of the world. It is a place of unwanted migrant pickers, backwoods people who must live off the land, and the grand lake that encloses them all. But Howie discovers it is also a realm of miracles.
I loved writing this story, the
characters, and of a land that once was. It was a strange decade between WWII
and the Vietnam War. The country was flexing its geo-political muscles as well
as its economy. In many ways, America and its cool sense of fair play, saved
the world from retributions and vengeance at a scale never seen in its history.
What the victors did to Germany after WWI (The Great War), eventually lead to
WWII. And the machinations of Japan throughout the Far East, led inexorably to
the whole world being on fire.
The 1950s were the Eisenhower years,
some say the do-nothing years, but in reality it established the principles and
ethics for the next twenty years (good or bad depending on your politics). Business
growth exploded, the suburbs were born, cool cars hit the streets, and it was
the beginning of rock and roll. Kids were everywhere, and families were now dealing
with separation anxiety. It was the period of America’s internal diaspora.
Friday, June 30, 2017
Agency in Writing
I’m working through the final edits
of my Thomas & Mercer thriller with my editor (due out next April). He
pointed out the usual POV issues (point-of-view to non-writers), and a small
plot hole – those were easily fixed. All in all, pretty good until he brought
up a new subject that hadn’t been discussed in other books and rewrites: A
character’s AGENCY.
The agency of each of these characters is what makes the story so great! |
Now what the hell is that? Sure, all
of you who spent years getting your degrees and writing up a storm know what
agency is – maybe. But me? A seat of the pants storyteller who creates
characters and stories as if they were a dime a dozen (and cliché ridden), this
is a head scratcher.
Agency:
- 1. active force; action; power.
- 2. that by which something is done, means, instrumentality.
A few have defined it as the ability
to freely act or live within the defined world of the story. It is also how a
character acts within the boundaries that we, the authors, have set for the
story. It is their choices, their actions, their responses to the stimulus, and
most especially their relationships to the other characters that creates agency.
Every character (along with their
agency) has an impact on the plot. It is how we push one character into another;
it is this friction that drives the story. It is how their respective agencies
react to each other that our story unfolds. Readers are sympathetic to the
characters and often empathize with the character – often with a silent cheer
or tear, as the story unfolds.
Every character in a story has a
job. As Christopher Vogler in his book The
Writer’s Journey, says in one narrow definition, (The Hero’s Journey) these
rolls are archetypes: hero, mentor, threshold guardian, herald, shapeshifter,
shadow, ally, and trickster. Each of these “jobs” are the character’s agency
within the story – and each type reacts to the other characters according to their
job. In Vogler’s book he doesn’t even write about agency – he defines it
differently and calls it archetypes.
In David Corbett’s excellent book, The Art of Character, he calls out
desire as the character’s main purpose: their needs, wants, ambitions, or goals
and how these impact other characters in the story. It is agency of a kind.
Within a legal contract (Agency
Agreement) the party of the first (the principal) agrees that the actions of a
second party (the agent) binds them to later agreements by the agent as if the
principal had himself made the agreement. (I’m not a lawyer so forgive my
simplicity).
This is what happens between the
characters in your story. What one character (principal) does must be
consistent with the actions/reactions by the other characters (agents) to that
same character. Unless of coarse he’s a lying psychotic with a personality
disorder—but then again that is his agency.
I often write up the various
characters’ curriculum vitae (stats and CV) before I start the story; all the
usual hokum: height, weight, race, hair, scars, ex-boyfriends/girlfriends,
family, etc. I haven’t gotten into the stuff inside their heads too much—their
motivations, their fears, and what if’s in certain situations—I’ve let that
evolve in the story. Will the character be sympathetic or psychotic, do they
play nice with others, or will they allow others to control them? Will their
actions drive the story (interesting) or will the story drive them (less
interesting)?
Agency? Yes, this is something that
I will definitely pay more attention to; it may lead to even better plotting
and characters.
More later . . . . .
Monday, June 19, 2017
TRAVEL MUSINGS - EUROPE 2017
I promised a report
on our thirty days traveling Europe from London to Spain to France and Italy. Here
are my observations, and they are based on a lot of travel over the years. Except two or three western Mediterranean stops,
we previously had visited most of these cities over the last twenty or more
years. I could have written ten thousand words, so consider yourselves spared.
We have been traveling
to England and Europe since 1989. My wife has written four books on the gardens
of England, and I’ve included many of these
locations in my own stories.
Sadly, a few events
happened in England while we traveled – the Manchester horror, and the killings
in London’s Borough Market area (we were visited just a few days earlier). We
were also there for the British snap election, the ongoing Brexit issues, and watching
their media treat Prime Minister May like Donald Trump. I have to say the Prime
Minister reacts with a lot more style.
Regarding the terror
attacks, the British seemed resigned, stiff upper lip and all. The press rants
and raves but not once did I see a serious discussion of why this is happening,
which requires a difficult level of introspection. The press wrings their
collective hands and interviews every politician who will sit for their
cameras. It was convenient that they were still set up for the post-election interviews
only days after Borough Market, and many of these same talking heads – both
political and media, said the same things.
The Shard from Borough Market - London |
I think my most
interesting observation is that the Moslems in London (visitors, refugees,
native born) were significantly more visible than in any of the other countries
we visited. Women wore their hajibs, chadors, and burqas everywhere. I saw no other burqas and very few hajibs
anywhere else on our travels, but they were ubiquitous in London. To stroll
through Harrods (owned, as I found out, by Qatari royal family), one believes they
are in an Arab souk, almost to the point of intimidation. I doubt that Moslems are
any less devout in Spain or Italy, but they certainly are making their
collective presence known in London. England, for more than a thousand years,
has gone out of its way to accommodate everyone who comes to their island. There
now appears to be a very palpable wariness and weariness on the part of the
English toward Muslims. I believe there are many on both sides who are very
afraid, and these “rogue” attacks only heighten that fear.
London itself was
extremely busy and almost chaotic, street traffic was the worst of all the
cities we visited. To try and reduce the traffic, they tax you for entering the
core of the city with cameras checking your license plates or something. A taxi
driver said to us, “No one bloody cares, they still drive in!” The stores were
crowded, young people were everywhere, the usual tourist venues were packed.
The pound’s drop in value to the dollar made things, even in expensive London,
more affordable to us. It was twenty-five percent higher during our last visit
four years ago.
The Ramblas in Barcelona |
The Royal Princess in Cartegana |
We visited small
cities on the Mediterranean. We docked at Cartagena, Spain and Gibraltar (still
English and proud of it), Marseilles for Provence, Genoa for Northern Italy,
and Livorno for Tuscany, and eventually Rome. The ship’s massive size requires
significant port facilities, its one drawback for visiting smaller cities.
Cruise Travel Observations:
First off, I
realize that there are many who think traveling on a cruise ship is expensive,
boring, restrictive, and uncomfortable. I thought that at one time. Now, not at
all. We spent far more on land costs (hotel, meals, entertainment) per day than
we did on a daily basis for our cabin (which includes room, food,
entertainment). If you throw in the air and land travel costs, from city to
city, cruising is even less expensive. Essentially you can participate as much
or as little as you want. You can engage other passengers or not. It is a wonderful
hotel that travels wherever you want to go. There are hundreds, if not
thousands of venues (countries, cities, historical
locations), on dozens of cruise lines, at multiple price levels, that can literally
take you anywhere in the world (including rivers and canals). We are hooked, try
it. I’m sure that you will like it.
Gibraltar |
Portofino near Genoa |
Visit Lucca; it is
worth the quiet and the chance to reflect and wander a city that once was an
important Roman city. During the Renaissance,
it had a history of battling Florence and other of Italy’s city-states. It has surrounding
defensive ramparts and earthworks that are now trails and parks, all very cool.
Some famous Italian musicians and composers
came from Lucca.
Rome is eternal—there
I said it. Unfortunately, I grew tired of the rough cobblestones of the streets
and sidewalks. The number of sprained tourist ankles has to reach the thousands
every year. The buzzing of a million scooters and motorbikes, tiny cars, taxis,
buses, and crowds all add to the cacophony. Everywhere there are tour guides holding up some type of flag,
pompon, or number. They (yes, we did it in Lucca) all wear little radios around
their necks to listen to the live commentary in their own language. Some are very
good, others not so much.
The Pantheon - Rome |
The Vatican |
Florence, Italy and the Arno River |
The ability to
travel and see the world is a luxury we have during this brief period of world
history. There were times during the last century when our adventures were
almost unheard of and impossible. Today, the common person can pack up, safely
and economically travel almost anywhere in the world. We met people from
Australia, New Zealand, Nepal, American expats in Barcelona and a couple that
spends six months a year on cruise ships. The staff on the ships and at the
hotels are from dozens of countries. Conversations were often too brief, we
wanted to know more.
I saw more
expensive automobiles in London than anywhere else I’ve traveled. There were
more Bentleys, Ferraris, Rolls Royce’s, Maybachs,
Aston Martins, Porches, and other types of autos I never knew existed; we watched four (with very stupid
drivers) Lamborghinis race through Hyde Park in London. The highpoint was the Bugatti
Chiron (3+ million dollars) parked in front of our hotel. This is “in your face”
display of wealth, and may also contribute to the tensions…just saying.
Venice |
We traveled on a
Boeing 787, an Airbus A-346 and two A-319s, sped across Italy on high-speed
trains at almost 200 kph. Jumped in and out of taxis, limos, buses, escalators,
elevators, ferries, water taxis, vaporetti, and our 1083-foot long cruise ship.
The hotel rooms were suites and one-room disasters. The bathrooms were always
an adventure; the showers, an exercise in cautionary entering and exiting. However,
all were clean and very neat.
And someday, we
will learn to travel light.
Bon Voyage!!
Tuesday, May 30, 2017
Black Swans in Publishing
Published in tandem with my Killer Nashville Blog post on May 30, 2017
Black Swans in Publishing
As a writer who has independently
published my own work through my own publishing company, I am amazed at how little authors know about the publishing world
they work in. While many writers are brilliant
and even inspired, the gobbly-gook of the publishing world is just stuff out
there to be handled by their agents and publishers. What I have seen change in the world of academic non-fiction and
fiction over the last sixteen years and thirteen books is just, well,
dumbfounding. As Dorothy said to the dog, “Toto, I’ve a feeling we’re not in Kansas anymore.”
Amazon's Jeff Bezos |
“Black
Swan,” with its roots in a Latin phrase by Roman poet Juvenal, simply means
being smacked against the side of the head with something so new, so shocking,
and so disturbingly out of the normal as to change the whole direction of a
thought, a thesis, a belief system, and even cultures and institutions. Ideas
can be Black Swans and can change the course of history. Jesus Christ and Mohammed come to mind, as well as
the American concept of democracy. The steam engine, electricity, even double
entry bookkeeping radically changed the course of the normal. These things from
out of left field can influence systems far beyond the original intent of the
concept or invention.
Apple's Steve Jobs |
In our world of words and story
telling the publishing empire had settled comfortably on a simple, yet
profitable, system. Writers write, agents sell, and publishers buy. Then
publishers sell through distributors to the ultimate retail outlet, the
bookstore. There the customer acquires the writer’s work, and after a hundred
fingers claw out their few pennies, the writer declares: “What the hell?” The
system obviously isn’t there to help the writer eat, clothe themselves, and live comfortably, but it certainly
is there to enrich the publishing industry. Don’t get me wrong, the system
worked well, exceedingly well, and many writers became successful and wealthy.
But with success came complacency and fortress building. No matter how hard the
writers and authors tried to breach the walls,
it was very difficult to be invited inside through the well-defended gates.
There were many who said enough and started their own publishing companies to
get their words out. That was costly, and
the doors to the bookstores were still well defended.
In the early part of the first
decade of our twenty-first century, two Black Swans flew in by the names of Jeff
Bezos and Steve Jobs. Jobs and his development and reimagining of the personal
computer and eventually the iPad, and Bezos with his new model for selling
books (and a lot of other stuff) that led to the Kindle system and retail merchandising on a massive scale. From these
sprang the ebook, a notion that had floated around for more than ten years but
was impossible to seriously market and distribute
(issues of copyrights, distribution, and bad hardware). The iPad (and its many
facsimiles) changed how we use and access information on the portable level,
the Kindle made it affordable and the software (mobi,
epub, pdfs, and a few others), made it available to everyone. The first Kindle
was released in 2007, the first iPad in 2010, since then the publishing world
has been turned on its head.
With the invention of Print On
Demand (POD), your words can be published
and in your hand within a few days for minimal cost. POD simply took old copier
systems and reimagined them into machines that print and manufacture a paper
book with a professional look in minutes. Another system turned upside down.
Whole industries have grown and
expanded within this new universe. The number of cover artists, copyeditors, story editors, marketing gurus,
ebook facilitators, book builders and designers; have increased because there
are now customers (writers) who are willing to pay for a quality product.
However, as with any opportunity caution is advisable, costly horror stories
have been reported due to ineptitude, unfulfilled promises, and outright fraud.
Today writers can finish a manuscript and within minutes have it
available to the world. It was messy, especially during the first few years,
but it has matured to a point where new systems of facilitating software (like
the app industry that grew out of the iPad and its camp followers) are
ubiquitous. Now everyone is in the pool,
Google, Microsoft, the hardware manufacturers like Samsung, Apple, Amazon, and
dozens of others, and software from Scrivner, Adobe, and Kindle. There are now millions of authors who keep at their
craft because they get the satisfaction of seeing their words in print.
The traditional publishing industry
was gobsmacked and immediately fought the
revolution and reinforced the fortress. They
trashed the ebook, the whole idea of the indie-publisher, and even put the shame and guilt of the
collapse of the bookselling industry on the shoulders of Amazon. However, every system, no matter how seemingly
successful, needs to be shaken to its core and rebuilt – ‘Creative Destruction,’
coined but Joseph Schumpeter in 1942, comes to mind. Now the publishing
industry has thousands of new and experienced writers to consider and offer
contracts. Not surprisingly some of these writers know more about the world of
publishing and marketing than their own publishers. New genres have
developed, expanded, and prospered – romance, erotica, steampunk, poetry, and
dozens of others have spun out from the old genres. There aren’t enough genres
to identify the subcategories at Amazon and the bestseller
lists, and they keep adding new ones.
I’ve published and republished nine
books all under my own publishing imprint. As one of those that not only writes
but produces the whole package (cover, design, and marketing), I’m now
convinced that anyone with even limited skills (or the desire to learn) can
become a published author and bring to their customers a quality product. I’m
also engaged with a leading publisher to bring out two thrillers next year
under their imprint (great experiment here for me), and this particular
publisher is one of the leading believers in Black Swans and how to radically
change the face of publishing. It is an exciting time for authors and
publishers, and more importantly for our readers.
Are there other Black Swans on the
horizon? The nature of the phenomenon is sudden surprise and shock. So what
might be out there? I see dramatic changes in
the marketing of published works directly to the customer both directly and
indirectly. There is huge potential for the integration of video into published
works.The growth of audio books (commuters, travelers, those with sight issues,
and of course that awful hour at the gym) now includes well-known actors and
will continue to expand. The impact in intuitive/digital education has yet to
be seen. The future is boundless. However, the true nature of a Black
Swan is the profound wonder and the chaos that may ensue. It is by nature
anarchy—and ain’t it great.
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